upcoming Auditions
Welcome! Below you’ll find audition information for our upcoming productions. Please take a moment to read through all of the information thoroughly before signing up.
Each production will have a virtual Audition Information Session about two weeks before auditions. These sessions will allow you to learn more from the director and the production team about the show and what to expect during the audition process. You’ll also have the chance to ask questions before stepping into your audition! A link to join the meeting will be sent before the session. Please RSVP via the Audition Information Session link next to the session date.

THE BRIDGES OF MADISON COUNTY
When Iowa housewife Francesca Johnson meets traveling photographer Robert Kincaid, an unexpected connection blossoms into a life-changing romance. Set in 1960s Iowa, this soaring musical explores love, sacrifice, and the choices that shape our lives. Experience the Tony Award-winning Best Original Score live on the QCT stage for the first time!
Performance Dates | February 19-21 & 25-28
Audition Dates | November 14 & 15 | 1:00 – 6:00 pm
Auditions are open to ages 18+
Please sign up for ONE 10-minute vocal/read audition on Saturday, November 14, or Sunday, November 15.
- Prior to your audition, please complete an audition form and bring it with you, or arrive early to complete a form available at the welcome table. Audition Form
- Auditions will be held at QCT. Please enter through the STAGE DOOR on the south side of the building off of Kentucky St.
- Scripts are available for checkout at the Box Office.
- If audition slots are full, please contact Volunteer Coordinator Casey Mercurio at casey.mercurio@1qct.org.
Please prepare 32 measures or 1 minute of a song in the contemporary musical theatre style that shows your voice at its best. You may sing from the score but are not required to. THE BRIDGES OF MADISON COUNTY score illustrates a soaring, emotional romance and has a higher tessitura (aka vocal range) for most actors in the show. Those auditioning are encouraged to show a wide range of musical and emotional expression.
- A live piano accompanist will be provided; therefore, bring the sheet music of your audition song with your measures clearly marked for the accompanist. A Bluetooth speaker will be available if you would rather sing to an accompaniment track (no vocals on the track).
- Following the singing of your song, you may be asked to do some additional singing coached by the music director.
You do not have to prepare any sides/scenes before the audition. You may be asked to do a cold reading from the script if time allows, but not everyone will be asked to read at auditions.
CALLBACKS: Some people may be asked to attend callbacks on Tuesday, November 17, from 6:00 – 9:00 pm. You will be notified if you are asked to attend. If you are not called back or unavailable during these times, you will still be considered for casting.
IF YOU INTEND TO AUDITION, TAKE NOTE OF THE FOLLOWING:
- REHEARSALS: Rehearsals will be held Monday-Friday anywhere from 6:00 – 10:00 pm. There may be some Saturday morning or afternoon rehearsals and possible Sunday afternoon or evening rehearsals. Actors may not be called for every rehearsal or for the full length of a rehearsal until the final weeks. The first cast meeting will be Tuesday, November 24 at 6:00 pm.
- OFF BOOK: Actors are asked to be “off book” (all lines memorized) by January 11.
- CONFLICTS: When listing conflicts on your audition form, please give exact days and times; we may be able to schedule around your pre-existing conflicts. No conflicts after January 29.
- ABSENCES: Cast members are allowed two (2) excused absences from rehearsal. NO UNEXCUSED ABSENCES WILL BE ALLOWED. Please note that no cast member may miss his/her scheduled rehearsal for any reason after February 5.
- TECHNICAL REHEARSALS: Before auditioning, please take note that tech weekend is scheduled for February 13 & 14. The specific schedule will be announced the week leading up to these days.
- COSTUMES: You may be asked to provide supplementary costume pieces (such as undergarments and socks) and/or shoes.
By auditioning, you agree to the following:
Being a part of a QCT production is a HUGE commitment, but the reward is worth it! You will be expected to work as needed outside of rehearsals on your lines, music, and choreography; you will attend all scheduled rehearsals; and you will be willing to step outside your comfort zone and try something new. Please only audition if you are ready to commit to the above. Let’s work hard and have some fun!
Director | Ethan Nienaber
Vocal Director | Mallory Krieger
Costume Designer | TBA
Scenic Designer | Anthony Freitas
Lighting Designer | Wesley Cone
Stage Manager | Kristie Bradshaw
THE BRIDGES OF MADISON COUNTY is set in 1965 in Iowa & Italy. In this story, romance and love are explored in a deep and nuanced way. The characters of Francesca and Robert are partaking in adultery, not out of malice, but out of true love. BRIDGES beautifully and tastefully explores the grey space within relationships, family, homemaking, and identity while asking the big question, “Is home really where the heart is?”
This show is best suited for singer/actors with a deep emotional life to draw from, as the challenges in this text are both musical and emotional but not necessarily physical. There is very little choreography, dancing, or physical demands in the show, but actors should be prepared for very detailed and nuanced staging that follows the emotional journey of Francesca and Robert’s romance.
From the authors, “The piece may feel at times like a memory or a lucid dream… The center of the world is Francesca herself; everything circles around her, though she is not really aware of this. If you asked her who the main character was, she would say it was Bud or the kids. But it isn’t. It is her story.”
Note that the ages listed are those of the character to be portrayed on stage.
Francesca
A beautiful Italian woman, generous, luminous, and funny, now married to a farmer and living in Iowa with their two children.
Female Presenting
Age: 35 to 45
Vocal range top: G5
Vocal range bottom: G3
Intimacy: Multiple kisses and embraces with Robert. Suggested intimacy during a scene when waking up in bed together, but no nudity or simulation of intimacy required. She also shares embraces with Bud & Marge.
Richard “Bud” Johnson
Francesca’s husband. An Iowa farmer, a good guy, diligent and dependable, but always exhausted and irritated that things haven’t gotten easier.
Male Presenting
Age: 40 to 50
Vocal range top: F#4
Vocal range bottom: B2
Intimacy: Embrace with Francesca.
Robert Kincaid
A ruggedly handsome, worldly, visionary photographer.
Male Presenting
Age: 40 to 50
Vocal range top: A4
Vocal range bottom: G2
Intimacy: Multiple kisses and embraces with Francesca. Suggested intimacy during a scene when waking up in bed together, but no nudity or simulation of intimacy required.
Marian
Robert’s former wife, a musician.
Female Presenting
Age: early 30s
Vocal range top: D5
Vocal range bottom: A3
Chiara
Francesca’s sister, still living in Italy.
Female Presenting
State Fair Singer
Note: Traditionally, Marian, Chiara & State Fair Singer are performed by the same actor with multiple solos and feature moments.
Michael
Francesca and Bud’s son; we see him age from teen to when he eventually graduates medical school.
Male Presenting
Age: 16 to 22
Vocal range top: G#4
Vocal range bottom: D3
Carolyn
Francesca and Bud’s daughter; we see her go from showing her prize steer at the fair to going off to college and getting married.
Female Presenting
Age: 14 to 20
Vocal range top: C#5
Vocal range bottom: A3
Marge
Francesca’s neighbor, sassy and nosy.
Female Presenting
Age: 45 to 60
Vocal range top: C5
Vocal range bottom: G3
Intimacy: Embrace with Francesca.
Charlie
Marge’s husband, wistful and hopeful.
Male Presenting
Age: 60 to 70
Vocal range top: C#4
Vocal range bottom: B2
Ensemble
Townspeople/Waitress/State Fair Patrons/Ginny/etc.
(Note: Ensemble may also be offered understudy roles with one (1) guaranteed performance for the track they cover.)
All actors will be considered regardless of gender identity/expression, ethnicity, race, sexual orientation, age, ability, body type, etc.