upcoming Auditions
Lost Girl Auditions: April 29-30
Student Lab Show
What ever happened to Wendy Darling in the years following her childhood adventure with Peter Pan? Even though she has left the nursery window open all these years in the hope of Peter’s return, long gone are the flights of fancy, pirates, princesses and Neverland. Wendy decides that she must find Peter to reclaim her kiss and move on with her life. Along the way, she meets other girls who went to Neverland and learns she is not alone. With empathy, grace and remarkable honesty, LOST GIRL is a coming-of-age exploration of first love and lasting loss, continuing the story of J.M. Barrie’s beloved character – the girl who had to grow up.
By Kimberly Belflower
Lost Girl is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com
REGISTRATION INFORMATION COMING SOON
LOOKING FOR: Students currently in grades 8-college, as well as one older adult female to play the role of “Mother.” We seek a diverse cast of ages, ethnicities, shapes and sizes, and abilities. No previous theatre experience is required.
Please be sure to schedule an audition and complete and print the audition form and bring it with you to your audition. You may also arrive earlier to complete a form at QCT.
Production Team
Director: Shoshana Canali
Scenic Designer: Harrison Clarke
Lighting Designer: Sabrina Brookshire
Costume Designer: Jayden Dreyer
Stage Manager: Sara Turnbow
Available Roles
Wendy (F) – 18-20, sometimes 13-14ish. A storyteller. She might gravitate toward melancholy, but she’s still openhearted and hopeful, with an undercurrent of tough determination.
Peter (M) – 13ish, then 18-20. Always well-intentioned, and so charismatic you could just die. He’s not a villain. He’s just a boy.
A, B, C, (F) – 16-22. Chorus. Different versions of Wendy from her past, memories distorted through time, and other girls who went to Neverland. All of the above.
Mother (F) – 40s. Tired, thoughtful, and patient.
Cora (F) – 16-22. No-nonsense.
Callie (F) – 16-22. Romantic, but self-aware.
Krista (F) – 16-22. Empathetic.
Nina (F) – 16-22. Curious and kind.
Slightly (M) – 18-22, Careful, caring, and fiercely loyal.
Toodles (M) – 16-22. Silly and sincere.
Nibs (M) – 18-22. Logical. Acerbic.
Curly (M) – 16-22. Laidback, but observant.
Detective (M) – 30s/40s. Single-minded, always on the edge of defeat.
Therapist (M) – 30s/40s. Trying his best.
Doctor (M) – 30s/40s. Even-tempered.
Boy (M) 18-25. Quiet confidence.
Important Dates
First Rehearsal: Monday, May 6
Discovery Night: Tuesday, June 4
Tech Rehearsals: June 5-11 (including Saturday & Sunday)
Preview Performance: June 12
Performances: June 13-16
If you intend to audition, please take note of the following:
- You will participate in a group exercise and will read selections from the script which will be assigned to you at that moment.
- Please wear clothing appropriate to move in.
- Some people may be asked to read again for what is called a “callback audition.” You will be notified if you need to attend this additional round of auditions. Please keep Wednesday, May 1st and Thursday, May 2nd open in case you are called back.
- Prior to your audition, please complete an audition form and bring it with you or arrive early to complete a form available at the welcome table. Check back here or on our website for a copy of the audition form.
- Auditions will be held at QCT. Please enter through the QCT STAGE DOOR located off Kentucky street. This is the south side of the Oakley-Lindsay Center, and a ramp leads to the door labeled “STAGE DOOR.”
- CAST & CREW MUST BE ABLE TO ATTEND ALL PERFORMANCES.
- REHEARSALS: Rehearsals will be held anywhere between the hours of 4pm and 8:00pm, Monday-Friday. Actors may not be called for every rehearsal or for the full length of a rehearsal until the final weeks. Some weekend rehearsals may be required.
- CONFLICTS: When listing conflicts on your audition form, please give exact days and times; we may be able to schedule around your pre-existing conflicts.
- ABSENCES: Cast members are allowed two (2) excused absences from rehearsal. NO UNEXCUSED ABSENCES WILL BE ALLOWED.
- Please note that no cast member may miss his/her scheduled rehearsal for any reason after June 2.
- TECHNICAL REHEARSALS: Before auditioning, please take note that tech week is scheduled for June 5-11. The specific schedule will be announced the week leading into these days.
- COSTUMES: You may be asked to provide supplementary costume pieces (such as undergarments and socks) and/or shoes.
Being a part of a QCT production is a HUGE commitment, but the reward is worth it. You will collaborate on a high-caliber, polished production! To achieve this, you will be expected to work outside of rehearsal on your lines; you will attend all your scheduled rehearsals and be ready to begin by the scheduled time; you will be willing to step outside of your comfort zone in rehearsals and try different things; you will stay quiet while another is talking; and show respect to every member of the LOST GIRL company. Only if you can make this kind of commitment should you audition for this production.
Newsies Auditions: May 11-12
Main Stage Musical
Set in turn-of-the century New York City, Newsies is the rousing tale of Jack Kelly, a charismatic newsboy and leader of a band of teenaged “newsies.” When the titan of publishing raises distribution prices at the newsboys’ expense, Jack rallies newsies from across the city to strike against the unfair conditions and fight for what’s right! Based on the 1992 motion picture and inspired by a true story, Newsies is packed with non-stop thrills and a timeless message, perfect for the whole family.
Music by Alan Menken
Lyrics by Jack Feldman
Book by Harvey Fierstein
Based on the Disney Film written by Bob Tzudiker & Noni White
Originally produced on Broadway by Disney Theatrical Productions
Orchestrations by Danny Troob
Incidental Music & Vocal Arrangements by Michael Kosarin
Dance Arrangements by Mark Hummel
Newsies is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.mtishows.com
Please sign up for ONE, 10-minute audition on Saturday, May 11 or Sunday, May 12.
Please prepare 32 bars or 1 minute of a musical theatre song. Disney songs are ok! You will be asked to read a short scene from the script.
- A live piano accompanist will be provided; therefore, bring the sheet music of your audition song, with your 32 measures clearly marked, for the accompanist. A Bluetooth speaker will be available if you would rather sing to an accompaniment track (no vocals on the track).
- Following the singing of your song, you may be asked to do some additional singing coached by the music director.
- You will read a selection from the script which will be assigned to you at that moment.
- Some people may be asked to dance on Monday, May 13 at 7p and/or read/sing again on Tuesday, May 14 at 7p for what is called a “callback audition.” You will be notified if you need to attend these additional auditions. Please keep Monday, May 13 and Tuesday, May 14 open in case you are called back.
- Prior to your audition, please complete this AUDITION FORM and bring it with you or arrive early to complete a form available at the welcome table.
- Auditions will be held at QCT. Please enter through the QCT STAGE DOOR located off Kentucky street. This is the south side of the Oakley-Lindsay Center, and a ramp leads to the door labeled “STAGE DOOR.”
LOOKING FOR: Students under the age of 18; Adults 18+
Please be sure to schedule an audition and complete and print the audition form and bring it with you to your audition. You may also arrive earlier to complete a form at QCT.
NEWSIES Audition Side for Les
Audition Sample of song “Watch What Happens” for Les
Audio of Les Audition Sample
Audition sample of “Santa Fe” for Jack Kelly
Audition Sample of “Watch What Happens” for Katherine Plumber
Production Team
Director: Stephen Santa
Vocal Director: Elizabeth Mannhardt
Choreographer: Cheryl Kaiser
Conductor: Monica Scholz
Stage Manager: Donna Haire
Costume Design: Vicky Vail
Scenic Design: Eric Luchen
Lighting Design: Russell Long
Sound Design: Jay Trimble
Assistant Stage Manager: Bailey McNamar
Project Manager: Jason Keller
Dramaturg: Me JW Crouch
Available Roles
All actors will be considered regardless of gender identity/expression, ethnicity, race, sexual orientation, age, ability, body type, etc.
The ages listed are that of the character and do not represent the necessary age of the actor.
Jack Kelly This charismatic leader of the Manhattan newsies is an orphaned dreamer and artist who yearns to get out of the crowded streets of New York and make a better life for himself out West. Fiercely protective of his best friend, Crutchie, and strongly loyal, Jack isn’t afraid to use his voice to attain better conditions for the working kids of New York City. Though living on the streets has given him a tough-guy exterior, Jack has a big heart and can demonstrate a sweet vulnerability – especially when bantering with a certain female reporter. Must have a great pop tenor voice and a sense of physicality.
Please note this role requires moments of rehearsed stage intimacy.
Those wishing to be considered will be asked to sing the sample of “Sante Fe” at their audition in addition to their prepared piece
Gender: Male-presenting | Age: 16 to 20 | Vocal range top: A4 | Vocal range bottom: Bb2
Crutchie A dedicated newsie with a bum leg that’s painful but helps sell more papers. Though he walks with the assistance of a crutch, Crutchie doesn’t let it define him; when in a jam, Jack Kelly’s best friend relies on a goofy-sweet sense of humor and optimistic resilience. Crutchie is the heart of the resistance. Though his movement will suggest his bum leg, Crutchie is still included in the dance numbers.
Gender: Male-presenting | Age: 14 to 18 | Vocal range top: A4 | Vocal range bottom: C3
Davey Les’ straight-laced, bright big brother starts selling newspapers to help his family earn a living but becomes swept up in the fervor of the strike. A leader in his own right who is learning to use his voice to uplift others, Davey is the brains of the resistance.
Gender: Male-presenting | Age: 15 to 20 | Vocal range top: A4 | Vocal range bottom: D3
Les Davey’s cheeky younger brother is inspired by the freedom of the newsies and loves their independent lifestyle. A precocious and natural newsie, Les is an intuitive salesboy and a pint-sized charmer. He should present as younger than the other newsies.
Gender: Male-presenting | Age: 10 to 14 | Vocal range top: Bb3 | Vocal range bottom: Db3
Newsies Including Albert, Buttons, Elmer, Finch, Henry, Ike, Jo Jo, Mike, Mush, Race, Romeo, Specs, Splasher, and Tommy Boy, are some of the hard-working kids of New York City that go on strike for a livable wage. A dynamic group, full of energy, charisma, and spirit.
*Several Newsies will double for other ensemble roles.
Gender: Male-presenting | Age: 13 to 20
Spot Conlon The proud leader of the Brooklyn newsies, boasts an intimidating reputation and a short singing solo in “Brooklyn’s Here.”
Gender: Male-presenting | Age: 17 to 20
Katherine Plumber An ambitious young reporter who works hard to make a name for herself as a legitimate journalist in a time when women aren’t taken seriously. Quick, funny, and resourceful, she boldly captures the voice of a new generation rising in her coverage of the newsies’ strike. While she generally has no time for cocky, streetwise young men, she makes an exception for Jack Kelly. Though she only has a brief dance solo in “King of New York,” Katherine should have a great contemporary pop voice with a high belt – diction is key. This role requires moments of rehearsed stage intimacy.
Those wishing to be considered will be asked to sing the sample of “Watch What Happens” at their audition in addition to their prepared piece
Gender: Female-presenting | Age: 17 to 21 | Vocal range top: F5 | Vocal range bottom: A3
Medda Larkin Inspired by vaudeville performer Aida Overton Walker, this big-voiced saloon singer and star of the Bowery offers her theater as a haven for the newsies. An astute entertainer with great comic delivery, she’s a good friend to Jack and stands firmly behind the newsies in their fight for justice.
Gender: Female-presenting | Age: 25 to 50 | Vocal range top: E5 | Vocal range bottom: F3
Oscar and Morris Delancey Tough brothers who work at the distribution window for the World, take the side of the publishers in the strike and are known to use their fists to make a point.
Gender: Male-presenting | Age: 15 to 20
Joseph Pulitzer A pompous businessman through and through, owns the World and is concerned solely with the bottom line. Katherine’s no-nonsense father, Pulitzer doesn’t sympathize with the strikers, but he does eventually – and grudgingly – respect Jack.
Gender: Male -presenting | Age: 40 to 60 | Vocal range top: F4 | Vocal range bottom: C3
Ensemble Many of the ensemble performers will play multiple roles. Please see below for character descriptions.
FEMALE ENSEMBLE 1 – Nun / Hannah / Bowery Beauty
FEMALE ENSEMBLE 2 – Nun/Woman/Bowery Beauty
FEMALE ENSEMBLE 3 – Nun/Bowery Beauty
MALE ENSEMBLE 1 – Wiesel/Stage Manager/Mr. Jacobi/Mayor
MALE ENSEMBLE 2 – Seitz
MALE ENSEMBLE 3 – Bunsen
MALE ENSEMBLE 4 – Nunzio/Guard/Policeman/Roosevelt
MALE ENSEMBLE 5 – Snyder
Wiesel Or “Weasel,” runs the distribution window for the World and knows most of the newsies by name. Assisted by the intimidating Delancey brothers, who keep order by any means necessary, Wiesel is Pulitzer’s disgruntled paper-pusher.
Gender: Male -presenting | Age: 35 to 50
Seitz Editor who advises Pulitzer but ultimately admires the kids’ newspaper.
Gender: Male -presenting | Age: 30 to 60
Bunsen Pulitzer’s bookkeeper who comes up with the idea to raise the newsies’ price per paper.
Gender: Male -presenting | Age: 35 to 50
Hannah Pulitzer’s practical and insightful secretary.
Gender: Female-presenting | Age: 20 to 45
Nunzio Pulitzer’s barber.
Gender: Male -presenting | Age: 30 to 50
Snyder The crooked and sinister warden of The Refuge, a filthy and horrible orphanage, is concerned only with catching enough kids to keep his government checks coming.
Gender: Male -presenting | Age: 45 to 65
The Bowery Beauties/Nuns (3) Female performers at Medda’s Theater and NYC Nuns
Gender: Female -presenting | Age: 18 to 30
Mr. Jacobi Allows the newsies to congregate in his restaurant to plan their strike – when he doesn’t have any paying customers.
Gender: Any | Age: 35 to 55
Mayor The Mayor of New York City rebuffs Pulitzer’s attempts to shut down the newsies’ strike.
Gender: Male -presenting | Age: 45 to 60
Governor Teddy Roosevelt A well-respected lifelong public servant, he inspires Jack to stand up to Pulitzer.
Gender: Male -presenting | Age: 50 to 65
Important Dates
- First Rehearsal: Tuesday, May 21
- Tech Rehearsals: July 5-12
- Discovery Night: Tuesday, July 9
- Performances: July 19-21 & 25-28
- Talk Back: Friday, July 26
If you intend to audition, please take note of the following:
- REHEARSALS: Rehearsals will be held Monday-Friday from 6:30-9:30p. There may be a few Saturday afternoon rehearsals in June, but they are TBD. Actors may not be called for every rehearsal or for the full length of a rehearsal until the final weeks. The first cast meeting will be Tuesday, May 21.
- CONFLICTS: When listing conflicts on your audition form, please give exact days and times; we may be able to schedule around your pre-existing conflicts. No rehearsal on Thursday, July 4 and no conflicts after July 4.
- ABSENCES: Cast members are allowed two (2) excused absences from rehearsal. NO UNEXCUSED ABSENCES WILL BE ALLOWED. Please note that no cast member may miss his/her scheduled rehearsal for any reason after July 4.
- TECHNICAL REHEARSALS: Before auditioning, please take note that tech week is scheduled for July 5-12. The specific schedule will be announced the week leading into these days.
- COSTUMES: You may be asked to provide supplementary costume pieces (such as undergarments and socks) and/or shoes.
Being a part of a QCT production is a HUGE commitment, but the reward is worth it! We will work together to create a joyful and high-quality production, and the final product is the result of everyone’s talents and strengths. You will be expected to work as needed outside of rehearsals on your lines, music and choreography; you will attend and arrive on time for all your scheduled rehearsals, and be ready to begin by the scheduled start time; you will leave anything negative at the Stage Door and bring in your best, most supportive, most inclusive and positive self to our process. We will all: Be willing to step outside of comfort zones in rehearsals and try different things and treat every person involved in the production with care and respect – no matter the age or role. Please, only audition if you are ready to commit to the above – let’s work hard and have some fun!
The Trip to Bountiful Auditions July 10-11
Main Stage Play
Nothing will stop Mrs. Watts from returning to her beloved hometown of Bountiful, Texas. Not her overprotective son, her bossy daughter-in-law, her lost pension check, or even the town sheriff. What she longs for most is to go home one last time. But is home a place, a feeling, or only a memory?
By Horton Foote
The Trip to Bountiful is presented by special arrangement with Broadway Licensing, LLC, servicing the Dramatists Play Service collection. www.dramatists.com
REGISTRATION INFORMATION COMING SOON
LOOKING FOR: Adults 18+
Please be sure to schedule an audition and complete and print the audition form and bring it with you to your audition. You may also arrive earlier to complete a form at QCT.
Production Team
Director: Phil Funkenbusch
Scenic Design: Maggie Jackson
Lighting Design: Corey Goulden-Naitove
Costume Design: TBD
Stage Manager: Doris Malacarne
Available Roles
CHARACTER INFORMATION COMING SOON
Important Dates
First Rehearsal: TBD
Tech Rehearsals: TBD
Dress Rehearsals: TBD
Performances: September 13-15 & 19-22
If you intend to audition, please take note of the following:
Being a part of a QCT production is a HUGE commitment, but the reward is worth it. You will collaborate on a high-caliber, polished production! To achieve this, you will be expected to work outside of rehearsal on your lines; you will attend all your scheduled rehearsals and be ready to begin by the scheduled time; you will be willing to step outside of your comfort zone in rehearsals and try different things; you will stay quiet while another is talking; and show respect to every member of the THE TRIP TO BOUNTIFUL company. Only if you can make this kind of commitment should you audition for this production.
The Phantom Tollbooth Auditions August 26-27
Student Main Stage Play
Told with whimsey, humor and moments of danger and intrigue, Norton Juster’s enduring fantasy adventure novel is brought to life on the stage. Milo, a very bored young boy whose bedroom is overflowing with toys, receives a strange package containing a make-believe tollbooth. As he drives through it in his toy car, he is transported to a magical world of imagination and allegory. Milo soon realizes that all is not well in the Lands Beyond, and he and his new companions, the watchdog Tock and the braggart beetle Humbug, set out on an epic journey to rescue the Princesses Sweet Rhyme and Pure Reason. Along the way, Milo learns valuable lessons that give him the ability to best each obstacle with knowledge and humor. Celebrating the value of education and appreciating the things of everyday life, with incredible plot twists and seemingly impossible tasks, The Phantom Tollbooth takes the audience on one of the greatest adventures ever told!
By Susan Nanus
Based on the book by Norton Juster
The Phantom Tollbooth is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com
REGISTRATION INFORMATION COMING SOON
LOOKING FOR: Students aged 18 and Under
Please be sure to schedule an audition and complete and print the audition form and bring it with you to your audition. You may also arrive earlier to complete a form at QCT.
Production Team
Director: TBD
Scenic Designer: Sabrina Brookshire
Lighting Designer: Tianxuan Chen
Costume Designer: Casey Mercurio
Stage Manager: Kristie Bradshaw
Available Roles
CHARACTER INFORMATION COMING SOON
Important Dates
First Rehearsal: TBD
Tech Rehearsals: TBD
Dress Rehearsals: TBD
Performances: October 17-20
If you intend to audition, please take note of the following:
Being a part of a QCT production is a HUGE commitment, but the reward is worth it. You will collaborate on a high-caliber, polished production! To achieve this, you will be expected to work outside of rehearsal on your lines; you will attend all your scheduled rehearsals and be ready to begin by the scheduled time; you will be willing to step outside of your comfort zone in rehearsals and try different things; you will stay quiet while another is talking; and show respect to every member of the THE PHANTOM TOLLBOOTH company. Only if you can make this kind of commitment should you audition for this production.
Rodgers & Hammerstein’s Cinderella
Auditions September 23-24
Main Stage Musical
Celebrate the holiday season with one of the most beloved stories of all time, Rodgers and Hammerstein’s Cinderella. Be transported to a world where Fairy Godmothers are real, pumpkins can turn into carriages, and a glass slipper can lead a prince to his one true love. This musical retelling of the classic fairytale features some of Rodgers and Hammerstein’s loveliest music, including “In My Own Little Corner,” “Impossible,” and “Ten Minutes Ago”. Generations of all ages will be enchanted by this whimsical, magical tale of love and hope.
Music by Richard Rodgers
Book and Lyrics by Oscar Hammerstein II
Adapted for the Stage by Tom Briggs
From the Teleplay by Robert L. Freedman
Cinderella is presented by arrangement with Concord Theatricals on behalf of The Rodgers & Hammerstein Organization. www.concordtheatricals.com
REGISTRATION INFORMATION COMING SOON
LOOKING FOR: Adults Age 18+; Students aged 18 and Under
Please be sure to schedule an audition and complete and print the audition form and bring it with you to your audition. You may also arrive earlier to complete a form at QCT.
Production Team
Director: Alison Shafer
Vocal Director: Jillian Miller
Choreographer: Alison Shafer
Scenic Designer: Maggie Jackson
Lighting Designer: Corey Goulden-Naitove
Costume Designer: Lia Wallfish
Sound Designer: Jay Trimble
Stage Manager: Drew Quintero
Assistant Stage Manager: Sara Reuschel
Available Roles
CHARACTER INFORMATION COMING SOON
Important Dates
First Rehearsal: TBD
Tech Rehearsals: TBD
Dress Rehearsals: TBD
Performances: December 5-15
If you intend to audition, please take note of the following:
Being a part of a QCT production is a HUGE commitment, but the reward is worth it. You will collaborate on a high-caliber, polished production! To achieve this, you will be expected to work outside of rehearsal on your lines; you will attend all your scheduled rehearsals and be ready to begin by the scheduled time; you will be willing to step outside of your comfort zone in rehearsals and try different things; you will stay quiet while another is talking; and show respect to every member of the RODGERS & HAMMERSTEIN’S CINDERELLA company. Only if you can make this kind of commitment should you audition for this production.